An Agent who has participated in any phase of management of an Asset.
Ein Agent, der in irgendeiner Phase der Verwaltung eines Assets mitgewirkt hat.
Un agent qui a participé à une phase quelconque de la gestion d'un actif.
Beitragender
Contributeur
Contributor
Spatial topic and spatial applicability may be a named place or a location specified by its geographic coordinates. Temporal topic may be a named period, date, or date range. A jurisdiction may be a named administrative entity or a geographic place to which the resource applies. Recommended practice is to use a controlled vocabulary such as the Getty Thesaurus of Geographic Names [TGN]. Where appropriate, named places or time periods may be used in preference to numeric identifiers such as sets of coordinates or date ranges. Because coverage is so broadly defined, it is preferable to use the more specific subproperties Temporal Coverage and Spatial Coverage.
The spatial or temporal topic of the resource, spatial applicability of the resource, or jurisdiction under which the resource is relevant.
Pour identifier le créateur d'un actif.
So identifizieren Sie den Ersteller eines Assets.
To identify the creator of an Asset.
Creator
Créateur
Schöpfer
Date may be used to express temporal information at any level of granularity. Recommended practice is to express the date, date/time, or period of time according to ISO 8601-1 [ISO 8601-1] or a published profile of the ISO standard, such as the W3C Note on Date and Time Formats [W3CDTF] or the Extended Date/Time Format Specification [EDTF]. If the full date is unknown, month and year (YYYY-MM) or just year (YYYY) may be used. Date ranges may be specified using ISO 8601 period of time specification in which start and end dates are separated by a '/' (slash) character. Either the start or end date may be missing.
A point or period of time associated with an event in the lifecycle of the resource.
A description of an Asset.
Eine Beschreibung eines Assets.
Une description d'un actif.
Description may include but is not limited to: an abstract, a table of contents, a graphical representation, or a free-text account of the resource.
Beschreibung
Description
An account of the resource.
Typically, rights information includes a statement about various property rights associated with the resource, including intellectual property rights. Recommended practice is to refer to a rights statement with a URI. If this is not possible or feasible, a literal value (name, label, or short text) may be provided.
Information about rights held in and over the resource.
Pour identifier une ressource comme étant la source d'une autre Resource.
To identify a Resource as the source of another Resource.
Um eine Resource als Quelle einer anderen Resource zu identifizieren.
Quelle
Source
Source :
Der Titel, unter dem ein EditorialObject bekannt ist.
Le titre par lequel un EditorialObject est connu.
The title by which a EditorialObject is known.
Titel
Title
Titre
Written, spoken, sign, and computer languages are linguistic systems.
A system of signs, symbols, sounds, gestures, or rules used in communication.
A physical material or carrier.
Examples include paper, canvas, or DVD.
A material thing.
Any changes in ownership and custody of a resource since its creation that are significant for its authenticity, integrity, and interpretation.
A statement about the intellectual property rights (IPR) held in or over a resource, a legal document giving official permission to do something with a resource, or a statement about access rights.
An alternative name for the resource.
Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
A bibliographic reference for the resource.
The guidelines for using names of persons or organizations as creators apply to contributors.
An entity responsible for making contributions to the resource.
Recommended practice is to describe the date, date/time, or period of time as recommended for the property Date, of which this is a subproperty.
Date of creation of the resource.
Recommended practice is to identify the creator with a URI. If this is not possible or feasible, a literal value that identifies the creator may be provided.
An entity responsible for making the resource.
Recommended practice is to specify the file size in megabytes and duration in ISO 8601 format.
The size or duration of the resource.
Date of formal issuance of the resource.
A legal document giving official permission to do something with the resource.
An entity responsible for making the resource available.
Recommended practice is to refer to the subject with a URI. If this is not possible or feasible, a literal value that identifies the subject may be provided. Both should preferably refer to a subject in a controlled vocabulary.
A topic of the resource.
A name given to a resource. Typically, the title will be the name by which the resource is formally known.
Organization or group of individuals and/or other organizations involved in the music market.
Trade name of a company that produces musical works or expression of musical works.
A movement is a self-contained part of a musical work. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. Often a composer attempts to interrelate the movements thematically, or sometimes in more subtle ways, in order that the individual movements exert a cumulative effect. In some forms, composers sometimes link the movements, or ask for them to be played without a pause between them.
A person or a group of people (or a computer :-) ), whose musical creative work shows sensitivity and imagination
Group of musicians, or musical ensemble, usually popular or folk, playing parts of or improvising off of a musical arrangement.
The intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, etc., or any combination of such forms. For example: Work #1 Franz Schubert's Trout quintet * Expression #1 the composer's score * Expression #2 sound issued from the performance by the Amadeus Quartet and Hephzibah Menuhin on piano * Expression #3 sound issued from the performance by the Cleveland Quartet and Yo-Yo Ma on the cello * . . . . The Music Ontology defines the following sub-concepts of a MusicalExpression, which should be used instead of MusicalExpression itself: Score (the result of an arrangement), Sound (produced during a performance), Signal. However, it is possible to stick to FRBR and bypass the worflow mechanism this ontology defines by using the core FRBR properties on such objects. But it is often better to use events to interconnect such expressions (allowing to go deeply into the production process - `this performer was playing this particular instrument at that particular time').
A single exemplar of a musical expression. For example, it could be a single exemplar of a CD. This is normally an single object (a CD) possessed by somebody. From the FRBR final report: The entity defined as item is a concrete entity. It is in many instances a single physical object (e.g., a copy of a one-volume monograph, a single audio cassette, etc.). There are instances, however, where the entity defined as item comprises more than one physical object (e.g., a monograph issued as two separately bound volumes, a recording issued on three separate compact discs, etc.). In terms of intellectual content and physical form, an item exemplifying a manifestation is normally the same as the manifestation itself. However, variations may occur from one item to another, even when the items exemplify the same manifestation, where those variations are the result of actions external to the intent of the producer of the manifestation (e.g., damage occurring after the item was produced, binding performed by a library, etc.).
This entity is related to the edition/production/publication of a musical expression (musical manifestation are closely related with the music industry (their terms, concepts, definitions, methods (production, publication, etc.), etc.) From the FRBR final report: The entity defined as manifestation encompasses a wide range of materials, including manuscripts, books, periodicals, maps, posters, sound recordings, films, video recordings, CD-ROMs, multimedia kits, etc. As an entity, manifestation represents all the physical objects that bear the same characteristics, in respect to both intellectual content and physical form. Work #1 J. S. Bach's Six suites for unaccompanied cello * Expression #1 sound issued during the performance by Janos Starker recorded in 1963 and 1965 o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1965 by Mercury o Manifestation #2 recordings re-released on compact disc in 1991 by Mercury * Expression #2 sound issued during the performances by Yo-Yo Ma recorded in 1983 o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1983 by CBS Records o Manifestation #2 recordings re-released on compact disc in 1992 by CBS Records Changes that occur deliberately or even inadvertently in the production process that affect the copies result, strictly speaking, in a new manifestation. A manifestation resulting from such a change may be identified as a particular "state" or "issue" of the publication. Changes that occur to an individual copy after the production process is complete (e.g., the loss of a page, rebinding, etc.) are not considered to result in a new manifestation. That copy is simply considered to be an exemplar (or item) of the manifestation that deviates from the copy as produced. With the entity defined as manifestation we can describe the physical characteristics of a set of items and the characteristics associated with the production and distribution of that set of items that may be important factors in enabling users to choose a manifestation appropriate to their physical needs and constraints, and to identify and acquire a copy of that manifestation. Defining manifestation as an entity also enables us to draw relationships between specific manifestations of a work. We can use the relationships between manifestations to identify, for example, the specific publication that was used to create a microreproduction.
Distinct intellectual or artistic musical creation. From the FRBR final report: A work is an abstract entity; there is no single material object one can point to as the work. We recognize the work through individual realizations or expressions of the work, but the work itself exists only in the commonality of content between and among the various expressions of the work. When we speak of Homer's Iliad as a work, our point of reference is not a particular recitation or text of the work, but the intellectual creation that lies behind all the various expressions of the work. For example: work #1 J. S. Bach's The art of the fugue
Published lyrics, as a book or as a text file, for example
A published score (subclass of MusicalManifestation)
A published record (manifestation which first aim is to render the product of a recording)
A specific release, with barcode, box, liner notes, cover art, and a number of records
Here, we are dealing with the informational object (the MusicalExpression), not the actually "published" score. This may be, for example, the product of an arrangement process.
A subclass of MusicalExpression, representing a signal, for example a master signal produced by a performance and a recording.
A musical expression representing a group of signals, for example a set of masters resulting from a whole recording/mastering session.
Single person whose musical creative work shows sensitivity and imagination.
Associates a work to an arrangement event where it was arranged
Associates an arrangement event to a work
Relates a membership event with the corresponding artist
Relates a musical manifestation to a musical item (this album, and my particular cd). By using this property, there is no assumption on wether the full content is available on the linked item. To be explicit about this, you can use a sub-property, such as mo:item (the full manifestation is available on that item) or mo:preview (only a part of the manifestation is available on that item). This is a subproperty of frbr:examplar.
Indicates that a musical manifestation is a compilation of several Signals.
Used to relate an person or a group of person who compiled the manifestation of a musical work.
Used to relate the manifestation of a musical work to a person or a group of person who compiled it.
Associates a MusicalWork to the Composition event pertaining to its creation. For example, I might use this property to associate the Magic Flute to its composition event, occuring during 1782 and having as a mo:composer Mozart.
Associates a composition event to the actual composer. For example, this property could link the event corresponding to the composition of the Magic Flute in 1782 to Mozart himself (who obviously has a FOAF profile:-) ).
Relates agents to the performances they were conducting
Relates a performance to the conductor involved
A related signal from which the described signal is derived.
Used to relate an artist who djmixed a musical work or the expression of a musical work. The artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track.
Used to relate a work or the expression of a work to an artist who djmixed it. The artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track.
Relates a performance or a recording to the engineer involved
Relates agents to the performances/recordings they were engineering in
A person, a group of person or an organization exchanging an exemplar of a single manifestation.
Relates a membership event with the corresponding group
Adds an involved music artist, who interpreted, remixed, or otherwise modified an existing signal, which resulted in the signal that is here the subject of this relation.
Relates a musical manifestation to a musical item (this album, and my particular cd) holding the entire manifestation, and not just a part of it.
Relates agents to the performances they were listening in
Relates a performance to the listener involved
Indicates that a musical work has movements
Indicates that two musical manifestations are essentially the same.
Relates agents to the performances they were performing in
Relates a performance to the performers involved
A person, a group of person or an organization possessing an exemplar of a single manifestation.
Relates a musical manifestation to a musical item (this album, and my particular cd), which holds a preview of the manifestation (eg. one track for an album, or a snippet for a track)
Used to relate an person or a group of person who produced the manifestation of a work.
Associates a Recording to the outputted signal.
Associates a recording session with a group of master signals produced by it.
Associates a Performance to a physical Sound that is being produced by it.
Associates a composition event to the produced MusicalWork. For example, this property could link the event corresponding to the composition of the Magic Flute in 1782 to the Magic Flute musical work itself. This musical work can then be used in particular performances.
Used to relate the manifestation of a work to a person or a group of person who produced it.
Link a particular manifestation to the related signal, score, libretto, or lyrics
Used to relate an person or a group of person who published the manifestation of a work.
Links a musical expression (e.g. a signal or a score) to one of its manifestations (e.g. a track on a particular record or a published score).
Used to relate a musical manifestation to a person or a group of person who published it.
Associates a release with the records it contains. A single release can be associated with multiple records, for example for a multi-disc release.
This is a shortcut property, allowing to bypass all the Sound/Recording steps. This property allows to directly link a Performance to the recorded Signal. This is recommended for "normal" users. However, advanced users wanting to express things such as the location of the microphone will have to create this shortcut as well as the whole workflow, in order to let the "normal" users access simply the, well, simple information:-) .
Associates a physical Sound to a Recording event where it is being used in order to produce a signal. For example, I might use this property to associate the sound produced by a particular performance of the magic flute to a given recording, done using my cell-phone.
Associates a Recording event to a physical Sound being recorded. For example, I might use this property to associate a given recording, done using my cell phone, to the sound produced by a particular performance of the magic flute.
This is the inverse of the shortcut property recordedAs, allowing to relate directly a performance to a signal.
Associates a release with the corresponding release event
Used to relate an artist who remixed a musical work or the expression of a musical work. This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.
Used to relate a musical work or the expression of a musical work to an artist who remixed it. This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.
Used to relate an artist who sampled a Signal.
Associates an analog signal with a sampled version of it
Associates a digital signal with the analog version of it
Used to relate the signal of a musical work to an artist who sampled it.
A person, a group of person or an organization selling an exemplar of a single manifestation.
Associates a group of signals with one of the signals it contains
Relates a performance to an involved singer
Indicates a part of a musical manifestation - in this particular case, a track.
Indicates that a work or the expression of a work has translated or transliterated into another expression of a work.
Indicates a musical work or the expression of a musical work that is a tribute to an artist - normally consisting of music being composed by the artist but performed by other artists.
A subclass of FRBR expression, restricted to expressions of fabio:Works. For your latest research paper, the preprint submitted to the publisher, and the final published version to which the publisher assigned a unique digital object identifier, are both expressions of the same work.
A subclass of FRBR item, restricted to exemplars of fabio:Manifestations. An example of a fabio:Item is a printed copy of a journal article on your desk, or a PDF file of that article that you purchased from a publisher and that now resides in digital form on your computer hard drive.
A subclass of FRBR manifestation, restricted to manifestations of fabio:Expressions. fabio:Manifestation specifically applies to electronic (digital) as well as to physical manifestations of expressions. Examples of different manifestations of a single 'version of record' expression of a scholarly work include an article in a print journal or the on-line version of that article as a web page.
A concept that defines a term within the controlled vocabulary of a particular classification system, such as the ACM Computing Classification System or MeSH, the Medical Subject Headings, used as an annotation to describe the subject, meaning or content of an entity.
A controlled vocabulary, usually referring to terms within a particular classification system, such as the ACM Computing Classification System or MeSH, the Medical Subject Headings, or a controlled vocabulary of disciplines.
term dictionary
A subclass of FRBR work, restricted to works that are published or potentially publishable, and that contain or are referred to by bibliographic references, or entities used to define bibliographic references. FaBiO works, and their expressions and manifestations, are primarily textual publications such as books, magazines, newspapers and journals, and items of their content. However, they also include datasets, computer algorithms, experimental protocols, formal specifications and vocabularies, legal records, governmental papers, technical and commercial reports and similar publications, and also bibliographies, reference lists, library catalogues and similar collections. For this reason, fabio:Work is not an equivalent class to frbr:ScholarlyWork. An example of a fabio:Work is your latest research paper.
A property linking a particular work to its manifestations. This property is additional to the relationships between FRBR endeavours present in the classical FRBR data model.
The place (usually, the city) where the publisher of a particular bibliographic resource is located.
has place of publication
A property linking a particular work to its items. This property is additional to the relationships between FRBR endeavours present in the classical FRBR data model.
has portrayal
This property is used to associate a frbr:Endeavour to a term in a particular classification system - and the term is considered one of the main topics for the endeavour in consideration.
A property linking a particular expression to its items. This property is additional to the relationships between FRBR endeavours present in the classical FRBR data model.
has representation
This property is used to associate a frbr:Endeavour to a term in a particular classification system.
A property linking a particular manifestation to the work it is manifesting. This property is additional to the relationships between FRBR endeavours present in the classical FRBR data model.
A property linking a particular item to the work it portrays. This property is additional to the relationships between FRBR endeavours present in the classical FRBR data model.
is portrayal of
A property linking a particular item to the expression it represents. This property is additional to the relationships between FRBR endeavours present in the classical FRBR data model.
is representation of
This property expresses the fact that a scheme contains a concept.
is scheme of
An abstract notion or idea. The entity defined as concept encompasses a comprehensive range of abstractions that may be the subject of a work: fields of knowledge, disciplines, schools of thought (philosophies, religions, political ideologies, etc.), theories, processes, techniques, practices, etc. A concept may be broad in nature or narrowly defined and precise.
An organization or group of individuals and/or organizations acting as a unit. The entity defined as corporate body encompasses organizations and groups of individuals and/or organizations that are identified by a particular name, including occasional groups and groups that are constituted as meetings, conferences, congresses, expeditions, exhibitions, festivals, fairs, etc.
It describes different aspects of user interests in the products of intellectual or artistic artifact.
An action or occurrence. The entity defined as event encompasses a comprehensive range of actions and occurrences that may be the subject of a work: historical events, epochs, periods of time, etc.
The intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, image, object, movement, etc., or any combination of such forms. An expression is the specific intellectual or artistic form that a work takes each time it is "realized." Expression encompasses, for example, the specific words, sentences, paragraphs, etc. that result from the realization of a work in the form of a text, or the particular sounds, phrasing, etc. resulting from the realization of a musical work.
A single exemplar of a manifestation. The entity defined as item is a concrete entity. It is in many instances a single physical object (e.g., a copy of a one-volume monograph, a single audio cassette, etc.). There are instances, however, where the entity defined as item comprises more than one physical object (e.g., a monograph issued as two separately bound volumes, a recording issued on three separate compact discs, etc.).
The physical embodiment of an expression of a work. The entity defined as manifestation encompasses a wide range of materials and formats. As an entity, manifestation represents all the physical objects that bear the same characteristics, in respect to both intellectual content and physical form.
A material thing. The entity defined as object encompasses a comprehensive range of material things that may be the subject of a work: animate and inanimate objects occurring in nature; fixed, movable, and moving objects that are the product of human creation; objects that no longer exist.
An individual. The entity defined as person encompasses individuals that are deceased as well as those that are living.
A location. The entity defined as place encompasses a comprehensive range of locations: terrestrial and extra-terrestrial; historical and contemporary; geographic features and geo-political jurisdictions.
It represents those responsible for the intellectual or artistic content, the physical production and dissemination, or the custodianship of any endeavour.
It represents an additional set of entities that serve as the subjects of works.
A distinct intellectual or artistic creation. A work is an abstract entity; there is no single material object one can point to as the work. We recognize the work through individual realizations or expressions of the work, but the work itself exists only in the commonality of content between and among the various expressions of the work. When we speak of Homer's Iliad as a work, our point of reference is not a particular recitation or text of the work, but the intellectual creation that lies behind all the various expressions of the work.
An expression abridged in another one. In the abridged expression some content of the previous expression is removed, but the result does not alter the content to the extent that it becomes a new work. The expressions resulting from such modification are generally autonomous in nature (i.e., they do not normally require reference to the prior expression in order to be used or understood).
has abridgement
It identifies the entire expression of an abridged one.
is abridgement of
A work/expression adapted in another one. This property describe the modification of an original work that is sufficient in degree to warrant their being considered as new works, rather than simply different expressions of the same work. If there exists a relation of this kind among two different expressions, they always refer to different works.
has adaption
It identifies the work/expression of an adapted one.
is adaption of
A manifestation having another one as alternate. The alternate relationship involves manifestations that effectively serve as alternates for each other. The alternate relationship obtains, for example, when a publication, sound recording, video, etc. is issued in more than one format or when it is released simultaneously by different publishers in different countries.
has alternate
It identifies the manifestation of an alternative one.
is alternate of
An expression arranged in another one. In the arranged expression some content of the previous expression is changed in some way, but the result does not alter the content to the extent that it becomes a new work. The expressions resulting from such modification are generally autonomous in nature (i.e., they do not normally require reference to the prior expression in order to be used or understood).
has arrangement
It identifies the original expression of an arranged one.
is arrangement of
An expression work/expression having another one as complement. This property describes works that are intended to be combined with or inserted into the related work. In other words, they are intended to be integrated in some way with the other work, but were not part of the original conception of that prior work. If there exists a relation of this kind among two different expressions, then they always refer to different works.
has complement
It identifies the work/expression of that is a complement of another one.
is complement of
A work linked to its creator.
has creator
The creator of a particular work.
is creator of
An expression embodied in a manifestation.
As defined by FRBR (http://www.ifla.org/VII/s13/frbr/frbr1.htm; http://purl.org/vocab/frbr/core#embodiment), a property representing a manifestation that embodies an expression.
has embodiment
A manifestation that embodies an expression.
As defined by FRBR (http://www.ifla.org/VII/s13/frbr/frbr1.htm; http://purl.org/vocab/frbr/core#embodimentOf), a property representing an expression that is embodied by a manifestation.
is embodiment of
A manifestation exemplified in an item.
As defined by FRBR (http://www.ifla.org/VII/s13/frbr/frbr1.htm; http://purl.org/vocab/frbr/core#exemplar), a property representing an item that exemplifies a manifestation.
has exemplar
An item that exemplifies a manifestation.
As defined by FRBR (http://www.ifla.org/VII/s13/frbr/frbr1.htm; http://purl.org/vocab/frbr/core#embodimentOf), a property representing a manifestation that is exemplified by an item.
is exemplar of
An work/expression imitated in another one. This property describes works that are intended to be an imitation another original work that is sufficient in degree to warrant their being considered as new works, rather than simply different expressions of the same work. If there exists a relation of this kind among two different expressions, then they always refer to different works.
has imitation
It identifies the work/expression of an imitated one.
is imitation of
An item linked to its owner.
has owner
The owner of a particular item.
is owner of
A part of an endeavour.
Meaning = has part. As defined by FRBR (http://www.ifla.org/VII/s13/frbr/frbr1.htm; http://purl.org/vocab/frbr/core#part), a property indicating that one entity includes another entity.
has part
An endeavour incorporating another endeavour.
Meaning = is part of. As defined by FRBR (http://www.ifla.org/VII/s13/frbr/frbr1.htm; http://purl.org/vocab/frbr/core#partOf), a property indicating that one entity is a part of another entity.
is part of
A manifestation linked to its prodecer.
has producer
The producer of a particular manifestation.
is producer of
A work realized through an expression.
As defined by FRBR (http://www.ifla.org/VII/s13/frbr/frbr1.htm; http://purl.org/vocab/frbr/core#realization), a property representing an expression that is an intellectual or artistic realization of a work.
has realization
An expression that realizes a work.
As defined by FRBR (http://www.ifla.org/VII/s13/frbr/frbr1.htm; http://purl.org/vocab/frbr/core#realizationOf), a property representing the work that has been realized by an expression.
is realization of
The realizer of a particular expression.
is realizer of
An item reconfigured in another one. The reconfiguration relationship is one in which one or more items are changed in such a way that a new item or items result. Most commonly, an item of one manifestation is bound with an item of a different manifestation to make a new item.
has reconfiguration
It identifies the manifestation of a reconfigured one.
is reconfiguration of
A manifestation/item reproduced in another one. A reproduction indicates the relationship as it would be drawn from the first manifestation/item in the relationship to the second manifestation/item in the relationship.
has reproduction
It identifies the manifestation/item of a reproduced one.
is reproduction of
Any endeavour having a particular entity that is responsible of it.
An entity that is resposible for a particular endeavour.
is responsible entity of
An expression revised in another one. A revision has the intent to alter or update the content of the prior expression, but without changing the content so much that it becomes a new work.
has revision
It identifies the previous expression of a revised one.
is revision of
A work linked to a particular subject it is talking about.
A subject a work talks abbout.
is subject of
An expression work/expression having another one as successor. The successor type of relationship involves a kind of linear progression of content from one work/expression to the other. In some cases, the content of the successor may be closely connected to the content of the preceding work, which would result in a work that is referential. In others, such as with loosely connected parts of a trilogy, the successor will be autonomous. Serial publications that result from the merger or split of their predecessors and stand on their own without requiring reference to the predecessor are also examples of autonomous works that fall within the successor relationship type. If there exists a relation of this kind among two different expressions, then they always refer to different works.
has successor
It identifies the previous work/expression of a succeeded one.
is successor of
A work/expression summarized in another one. This property describe the summarization of an original work that is sufficient in degree to warrant their being considered as new works, rather than simply different expressions of the same work. If there exists a relation of this kind among two different expressions, they always refer to different works.
has summarization
It identifies the original work/expression of a summarized one.
is summarization of
An expression work/expression having another one as supplement. The supplement relationship type involves works/expressions that are intended to be used in conjunction with another work/expression. Some of these, such as indices, concordances, teachers' guides, glosses, and instruction manuals for electronic resources will be so closely associated with the content of the related work/expression that they are useless without the other work/expression.
has supplement
It identifies the work/expression of a particular supplement of it.
is supplement of
An work/expression transformed in another one. This property describes the transformation of an original work or expression into another work or expression that is sufficiently different in degree to warrant the product of the transformation being considered as a new work or expression, rather than simply a different expression of the original work. If there exists a frbr:transformation relation between two different expressions, then they always relate to different works.
has transformation
It identifies the original work/expression of a trasformed one.
is transformation of
An expression translated in another one. It allows to refer to a literal translation, in which the intent is to render the intellectual content of the previous expression as accurately as possible.
has translation
It identifies the original expression of a translated one.
is translation of
Werk
rdac:C10001 Work
A distinct intellectual or artistic creation, that is, the intellectual or artistic content.
Eine individuelle intellektuelle oder künstlerische Schöpfung, das heißt der intellektuelle oder künstlerische Inhalt.
Akteurd
rdac:C10002 Agent
An entity who is capable of deliberate actions, of being granted rights, and of being held accountable for its actions.
Eine Entität, die in der Lage ist, bewusst zu handeln, Rechte zu erhalten und für Handlungen zur Rechenschaft gezogen zu werden.
Exemplar
rdac:C10003 Item
A single exemplar or instance of a manifestation.
Ein einzelnes Exemplar oder ein Beispiel einer Manifestation.
Person
rdac:C10004 Person
An agent who is an individual human being who lives or is assumed to have lived.
Ein Akteur, bei dem es sich um ein individuelles menschliches Wesen handelt, das lebt oder von dem man annimmt, dass es gelebt hat.
Körperschaft
rdac:C10005 Corporate Body
A collective agent who is composed of persons who are organized for a common purpose or activity.
Ein gemeinschaftlicher Akteur, der sich aus Personen zusammensetzt, die für einen gemeinsamen Zweck oder eine gemeinsame Tätigkeit organisiert sind.
Expression
rdac:C10006 Expression
An intellectual or artistic realization of a work in the form of alpha-numeric, musical or choreographic notation, sound, image, object, movement, etc., or any combination of such forms.
Eine intellektuelle oder künstlerische Realisierung eines Werks in Form einer alphanumerischen, musikalischen oder choreografischen Notation, in Form von Ton, Bild, Gegenstand, Bewegung und so weiter oder einer Kombination solcher Formen.
Manifestation
rdac:C10007 Manifestation
A physical embodiment of an expression of a work.
Eine physische Verkörperung einer Expression eines Werks.
Familie
rdac:C10008 Family
A collective agent who is composed of persons who are related by birth, marriage, adoption, civil union, or similar legal status, or who otherwise present themselves as a family.
Ein gemeinschaftlicher Akteur, der sich aus Personen zusammensetzt, die aufgrund von Geburt, Eheschließung, Adoption, eingetragene Lebenspartnerschaft oder einen ähnlichen Rechtsstatus miteinander in Beziehung stehen oder sich in anderer Form als Familie präsentieren.
Gemeinschaftlicher Akteur
rdac:C10011 Collective Agent
An agent who is a gathering or organization of two or more persons that bears a particular name and that is capable of acting as a unit.
Ein Akteur, bei dem es sich um eine Zusammenkunft oder eine Organisation von zwei oder mehreren Personen handelt, die der einen bestimmten Namen trägt und imstande ist, als Einheit zu handeln.
rdac:C10012 Nomen
"Ein Label für eine beliebige RDA-Entität. Nomen selbst sind davon ausgenommen."
A label for any RDA entity except a nomen.
rdac:C10013 RDA Entity
An abstract class of key conceptual objects in the universe of human discourse that are a focus of interest to users of RDA metadata in a system for resource discovery.
An RDA entity includes an agent, collective agent, corporate body, expression, family, item, manifestation, nomen, person, place, timespan, and work.
Scope note: This class comprises all persistent physical items of any size that are purposely created by human activity. This class comprises, besides others, human-made objects, such as a sword, and human-made features, such as rock art. For example, a “cup and ring” carving on bedrock is regarded as instance of E24 Physical Human-Made Thing. Instances of E24 Physical Human-Made Thing may be the result of modifying pre-existing physical things, preserving larger parts or most of the original matter and structure, which poses the question if they are new or even human-made, the respective interventions of production made on such original material should be obvious and sufficient to regard that the product has a new, distinct identity and intended function and is human-made. Substantial continuity of the previous matter and structure in the new product can be documented by describing the production process also as an instance of E81 Transformation. Whereas interventions of conservation and repair are not regarded to produce a new instance of E24 Physical Human-Made Thing, the results of preparation of natural history specimens that substantially change their natural or original state should be regarded as instances of E24 Physical Human-Made Things, including the uncovering of petrified biological features from a solid piece of stone. On the other side, scribbling a museum number on a natural object should not be regarded to make it human-made. This notwithstanding, parts, sections, segments, or features of an instance of E24 Physical Human-Made Thing may continue to be non-human-made and preserved during the production process, for example natural pearls used as a part of an eardrop. Examples: - the Forth Railway Bridge (Shipway, Bouch, Baker and Fowler, 1990). - the Channel Tunnel (E25) (Holliday, Marcou and Vickerman, 1991) - the Palace of Knossos (Evans, 1921) - the Colosseum in Rome, Italy (Hopkins and Beard, 2011) - the Historical Collection of the Museum Benaki in Athens (E78) (Georgoula, 2005) - the Rosetta Stone (E22) - my paperback copy of Crime & Punishment (E22) (fictitious) - the computer disk at ICS-FORTH that stores the canonical Definition of the CIDOC CRM v.3.2 (E22) - my empty DVD disk (E22) (fictitious) In First Order Logic: - E24(x) ⇒ E18(x) - E24(x) ⇒ E71(x)
Scope note: This class comprises identifiable immaterial items, such as poems, jokes, data sets, images, texts, multimedia objects, procedural prescriptions, computer program code, algorithm or mathematical formulae, that have an objectively recognizable structure and are documented as single units. The encoding structure known as a “named graph” also falls under this class, so that each “named graph” is an instance of E73 Information Object. An instance of E73 Information Object does not depend on a specific physical carrier, which can include human memory, and it can exist on one or more carriers simultaneously. Instances of E73 Information Object of a linguistic nature should be declared as instances of the E33 Linguistic Object subclass. Instances of E73 Information Object of a documentary nature should be declared as instances of the E31 Document subclass. Conceptual items such as types and classes are not instances of E73 Information Object, nor are ideas without a reproducible expression. Examples: - image BM000038850.JPG from the Clayton Herbarium in London (E31) (Natural History Museum, 2021) - E. A. Poe's “The Raven” (Poe, 1869) - the movie “The Seven Samurai” by Akira Kurosawa (Mellen, 2002) - the text of Huray describing the Maxwell Equations (Huray, 2010) - the Getty AAT as published as Linked Open Data, accessed 1/10/2014 In First Order Logic: - E73(x) ⇒ E89(x) - E73(x) ⇒ E90(x)
Scope note: This class comprises immaterial items, including but not limited to stories, plots, procedural prescriptions, algorithms, laws of physics or images that are, or represent in some sense, sets of propositions about real or imaginary things and that are documented as single units or serve as topic of discourse. This class also comprises items that are “about” something in the sense of a subject. In the wider sense, this class includes expressions of psychological value such as non-figural art and musical themes. However, conceptual items such as types and classes are not instances of E89 Propositional Object. This should not be confused with the definition of a type, which is indeed an instance of E89 Propositional Object. Examples: - Maxwell’s Equations (Ball, 1962) - the ideational contents of Aristotle’s book entitled ‘Metaphysics’ as rendered in the Greek texts translated in Oxford edition - the underlying prototype of any “no-smoking” sign (E36) - the common ideas of the plots of the movie “The Seven Samurai” by Akira Kurosawa and the movie “The Magnificent Seven” by John Sturges (Mellen, 2002) - the image content of the photo of the Allied Leaders at Yalta published by UPI, 1945 (E36) - the character “Little Red Riding Hood”, variants of which appear amongst others in Grimm brothers’ “Rotkäppchen”, other oral fairy tales and the film “Hoodwinked” - the place “Havnor” as invented by Ursula K. Le Guin for her “Earthsea” book series, the related maps and appearing in derivative works based on these novels In First Order Logic: - E89(x) ⇒ E28(x)
with edm:ProvidedCHO as domain and a literal value as range, used to distinguish between hierarchical levels with proper descriptions and levels without such descriptions (e.g. an issue that is only identified by the number).
With edm:ProvidedCHO as domain and a literal value as range, used to describe the order of an edm:ProvidedCHO or edm:PhysicalThing in a hierarchy
This data property is used to describe the object type of an edm:ProvidedCHO or edm:PhysicalThing as part of a hierarchy (e.g. journal, volume, article, illustration). Values used here are based on a vocabulary published at http://ddb.vocnet.org/hierarchietyp/.
An audiovisual MediaResource, which can be composed of one or more Tracks. A MediaResource is defined by an EditorialObject (Editorial Domain), which can be realised in Essences in one or more Formats for different delivery medias or platforms.
Eine audiovisuelle MedienResource, die aus einer oder mehreren Spuren bestehen kann. Die MedienResource ist durch einen Medieninhalt definiert und kann durch Essenzen in einem oder mehreren Formaten für verschiedene Medien oder Plattformen realisiert werden.
a Resource that comprises encoded audio, video, graphics, data or text
eine Resource, die aus kodierten Audio-, Video-, Grafik-, Daten- oder Textinhalten besteht
Assets are EditorialObjects or Resources with associated Rights. An «Asset» is an object to which an identifier will be associated at commissioning time. It serves as a central reference point to manage rights associated with EditorialObjects, MediaResources or Essences, and - by inference - PublicationEvents (distribution and exploitation conditions). Remember that the MediaResources or Essences will in this model always be represented by an EditorialObject. Example: The CCDM model allows the association of Rights to a related EditorialObject that is represented by one or more Essences.
Assets sind Inhaltsobjekte oder Medienobjekte und ihre zugeordneten (Verwertungs-)Rechte. Ein Asset erhält durch die Beauftragung einen Identifikator. Es dient als zentrale Referenz, um die Rechte zu verwalten, die mit Inhaltsobjekten, Medienobjekten, Essenzen sowie Veröffentlichungsereignissen (per Deduktion) verknüpft sind. Achtung: Medienobjekte oder Essenzen werden in diesem Modell immer durch Inhaltsobjekte repräsentiert. Beispiel: CCDM gestattet die Verknüpfung von Verwertungsrechten mit einem Inhaltsobjekt, das von einem oder auch mehreren Essenzen repräsentiert wird.
Les actifs sont des EditorialObjects ou des ressources avec des droits associés. Un "Asset" est un objet auquel un identifiant sera associé lors de la mise en service. Il sert de point de référence central pour gérer les droits associés aux EditorialObjects, MediaResources ou Essences, et par déduction - les PublicationEvents (conditions de distribution et d'exploitation). Il est a noté que les MediaResources ou Essences seront dans ce modèle toujours représentées par un EditorialObject. Exemple : Le modèle CCDM permet l'association de droits à un EditorialObject connexe représenté par une ou plusieurs essences, Essences.
Actif
Asset
a media object that is intended for publication and consumption, attributed with author's rights and copyrights, and representing value.
ein Medienobjekt, das für die Veröffentlichung und den Konsum bestimmt ist, mit Urheberrechten und Copyrights versehen ist und einen Wert darstellt.
un objet médiatique destiné à être publié et consommé, auquel sont attribués des droits d'auteur et des droits de reproduction, et qui représente une valeur.
- a film on tape in the archive - a digital audio recording with associated author's right and copyright - a book - a collection of books
- ein Film auf Band im Archiv - eine digitale Tonaufnahme mit Urheberrecht und Copyright - ein Buch - eine Sammlung von Büchern
- un film sur bande dans les archives - un enregistrement audio numérique avec droits d'auteur et copyright associés - un livre - une collection de livres
An EditorialObject collects all the descriptive information about an object to be realised as a single MediaResource or a collection thereof. An «EditorialObject» describes any idea, any story and will be used to transform a concept into an editorial definition of a MediaResource before fabrication (Production Domain) and Distribution (Distribution Domain). An «EditorialObject» is a set of descriptive metadata summarising e.g. editing decisions. An «EditorialObject» can be a group of EditorialObjects. An «EditorialObject» can also be a part of another «EditorialObject», which is defined by its start time and duration. EditorialObjects can be ordered either as groups or as items on a timeline. Examples of simple EditorialObjects: Programme, Item, Shot,Part, etc. Examples of Groups: Brand, Series, Serial, Collection, etc. A simplifieduse-case: A news broadcast consists of two news items. One news item contains the last ten seconds of a one minute long interview taken from another source (i.e. 50">60" ). This could be modelled as follows: • The NewsBroadcast is linked to a MediaResource using the instantiates-property • The NewsItems are linked to the NewsBroadcast using a TimelineTrack. Tech 3351 EBU CCDM 13 • The InterviewPart is linked to the NewsItem using the hasMember-property. Start and Duration are properties within the InterviewPart indicating its appearance within the NewsItem2. • The InterviewPart is linked to its original source using the existsAs-property • The Interview instantiates a MediaResource, which in turn is linked from the MediaResource of the NewsBroadcast using the hasSource-property • Representation of segmentation: TimelineTracks are preferred over hasPart-properties, when a rundown is needed, e.g. for playout.
Ein Medieninhalt versammelt sämtliche deskriptiven informationen über ein Objekt, das als Resource (oder eine Menge davon) realisiert werden soll. Der Medieninhalt beschreibt eine Idee, eine Geschichte und wird benutzt, um ein Konzept in eine inhaltliche Festlegung einer Resource zu erreichen, und zwar vor der Herstellung und der Verbreitung. Ein Medieninhalt besteht aus einer Menge beschreibender Metadaten, z.B. Schnittlisten. Ein Medieninhalt kann eine Gruppe von anderen Medieninhalten sein. Ein Medieninhalt kann auch Teil eines anderen Medieninhalts sein, was durch den Zeitpunkt des Beginns und die Dauer dafiniert wird. Medieninhalte können gruppiert werden or entlang einer Zeitachse angeordnet werden. Beispiele für einfache Medieninhalte: Sendung, Beitrag, Szene Beispiele für Gruppierungen: Marke, Serie, Reihe, Sammlung
Un EditorialObject rassemble toutes les informations descriptives d'un objet à réaliser comme une MediaResource ou une collection de MediaResource. Un EditorialObject décrit une idée, une histoire. Il est utilisé pour transformer un concept en une définition éditoriale, une MediaResource avant sa fabrication (domaine de la production) et sa distribution (domaine de la distribution). Un EditorialObject est un ensemble de métadonnées descriptives résumant, par exemple, les décisions d'édition. Un EditorialObject peut être un groupe d'EditorialObjects. Un EditorialObject peut également faire partie d'un autre EditorialObject, qui est défini par son heure de début et sa durée. Les objets éditoriaux peuvent être ordonnés soit en tant que groupes, soit en tant qu'éléments sur une ligne de temps. Exemples d'EditorialObjects simples : Programme, Article, Une prise de vue, Une Partie, etc. Exemples de groupes d'EditorialObjects : Marque, Série, Collection, etc. Un cas d'utilisation simplifié : ------------------------ Un journal télévisé se compose de deux éléments d'information. L'un d'entre eux contient les dix dernières secondes d'une interview d'une minute provenant d'une autre source (c'est-à-dire entre la seconde 50 et la seconde 60). Cette situation pourrait être modélisée comme suit : o NewsBroadcast est lié à un MediaResource à l'aide de la propriété instantiates. o NewsItems sont liés au NewsBroadcast à l'aide d'un TimelineTrack. Tech 3351 EBU CCDM 13 o L'InterviewPart est liée au NewsItem à l'aide de la propriété hasMember. Start et Duration sont des propriétés de l'InterviewPart qui indiquent son apparence dans le NewsItem. o L'InterviewPart est liée à sa source originale à l'aide de la propriété existsAs. o L'interview instancie une MediaResource, qui à son tour est liée à la MediaResource du NewsBroadcast à l'aide de la propriété hasSource. o Représentation de la segmentation : Les TimelineTracks sont préférés aux hasPart-properties, lorsqu'un récapitulatif est nécessaire, par exemple pour la diffusion.
Editorial object
Medieninhalt
Objet éditorial
an Asset in the form of content related information about a MediaResource that may or may not exist.
ein Asset in Form von inhaltsbezogenen Informationen über eine MediaResource, die existieren kann oder auch nicht.
un actif sous forme d'informations liées au contenu d'une MediaResource qui peut ou non exister.
- a group of EditorialObjects - a single "work of the mind", a piece - a segment of a "work of the mind"
- eine Gruppe von EditorialObjects - ein einzelnes "Werk des Geistes", ein Stück - ein Segment eines "geistigen Werks"
- un groupe d'EditorialObjects - une "œuvre de l'esprit" unique, un morceau - un segment d'une "œuvre de l'esprit".
Editorial work
Œuvre
an EditorialObject describing a "work of the mind", a piece.
ein Medieninhalt, der ein geistiges Werk, ein "Stück" ist
un objet éditorial décrivant une "œuvre de l'esprit", une pièce.
- a film based on a playbook - a radio drama based on a playbook - a news programme with several items - an item in a news programme - an episode of a series
- ein Film nach einem Drehbuch - ein Hörspiel auf der Grundlage eines Spielbuchs - eine Nachrichtensendung mit mehreren Beiträgen - ein Beitrag in einer Nachrichtensendung - eine Folge einer Serie
- un film basé sur un livret de jeu - un feuilleton radiophonique basé sur un livret de jeu - un journal télévisé avec plusieurs sujets - un article dans un journal télévisé - un épisode d'une série
Une MediaResource audiovisuelle, qui peut être composée d'une ou plusieurs Pistes. une ressource multimédia, MediaResource est définie par un objet éditorial EditorialObject, (domaine éditorial), qui peut être réalisé dans des essences dans un ou plusieurs formats pour différents médias ou plateformes de diffusion.
Media resource
MedienResource
Resource médiatique
une ressource qui comprend du son, de la vidéo, des graphiques, des données ou du texte codés.
- an audio CD - an audio track on a CD - an audio file - a video file - a video DVD
- eine Audio-CD - ein Audiotitel auf einer CD - eine Audiodatei - eine Videodatei - eine Video-DVD
- un CD audio - une piste audio sur un CD - un fichier audio - un fichier vidéo - un DVD vidéo
A resource used or referred to in the workflow (e.g. a document or image or any objects defined as sub-classes of Resource). It has a locator indicating from where the Resource can be retrieved.
Eine Resource, die in einem Arbeitsablauf genutzt oder referenziert wird, z.B. ein Dokument, ein Bild, oder ein beliebiges Objekt einer Sub-Klasse von Resource). Die Resource hat einen Locator, der angibt, wo auf die Resource zugegriffen werden kann.
une ressource utilisée ou à laquelle il est fait référence dans le workflow (par exemple, un document ou une image ou tout objet défini comme sous-classe de Resource). Elle possède un localisateur indiquant l'endroit où la ressource peut être récupérée.
Resource
a Thing that is created, published, distributed and consumed in a media related workflow
eine Sache, die in einem medienbezogenen Arbeitsablauf erstellt, veröffentlicht, verbreitet und konsumiert wird
une Chose qui est créée, publiée, distribuée et consommée dans un flux de travail lié aux médias
- a paper document - a digital document - a digital picture - a vinyl record - an audio CD - an audio tape - a video tape - a film dvd
- ein Papierdokument - ein digitales Dokument - ein digitales Bild - eine Schallplatte - eine Audio-CD - eine Audiokassette - eine Videokassette - eine Film-DVD
- un document papier - un document numérique - une image numérique - un disque vynil - un CD audio - une bande audio - une cassette vidéo - un dvd de film
Pour spécifier le rapport d'aspect.
To specify the aspect ratio.
Um das Seitenverhältnis festzulegen.
Aspect ratio
Bildseitenverhältnis
Rapport d'aspect
Ceci peut être spécialisé en utilisant des sous-propriétés comme celles définies dans https://github.com/ebu/ebu_cs/blob/main/metadata/cs/ebu_DescriptionTypeCodeCS.xml mises en œuvre à titre d'exemple, comme par exemple "summary" ou "script".
Dies kann durch die Verwendung von Untereigenschaften spezialisiert werden wie in https://github.com/ebu/ebu_cs/blob/main/metadata/cs/ebu_DescriptionTypeCodeCS.xml definiert als Beispiele implementiert sind, wie z.B. 'summary' oder 'Skript'.
This can be specialised by using sub-properties like defined in https://github.com/ebu/ebu_cs/blob/main/metadata/cs/ebu_DescriptionTypeCodeCS.xml implemented as examples as e.g. 'summary' or 'script'.
Beschreibung des Inhalts
Content description
Description du contenu
Pour fournir une liste de balises.
To provide a list of tags.
Zur Bereitstellung einer Liste von Tags.
Tag
Étiquette
Alle Werte des EBU-Titelstatus-Klassifizierungsschemas (https://github.com/ebu/ebu_cs/blob/main/metadata/cs/ebu_TitleStatusCodeCS.xml) sind Kandidaten Untereigenschaften der Eigenschaft title, wie sie zum Beispiel mit alternativeTitel.
Specifies the title or name given to the resource. A root for the definition of subproperties defining ebucore titles of different types. The ebucore title type can be used to define sub-properties to optionally refine the category of the title. All value of the EBU title status classification scheme (https://github.com/ebu/ebu_cs/blob/main/metadata/cs/ebu_TitleStatusCodeCS.xml) are candidates subproperties of the title property as implemented for an example with alternativeTitle.
Toutes les valeurs du système de classification du statut du titre de l'UER (https://github.com/ebu/ebu_cs/blob/main/metadata/cs/ebu_TitleStatusCodeCS.xml) sont des candidats sous-propriétés de la propriété title comme implémenté par exemple avec alternativeTitle.
Leonardo da Vinci, the British Museum, W3C
Rationale: This class is a domain of edm:wasPresentAt
The 56th issue of "Le Temps" is a (different) Cultural Heritage Object represented in Europeana by another EuropeanaAggregation instance
The journal "Le Temps" is a Cultural Heritage Object represented in Europeana by one EuropeanaAggregation instance
The painting Mona Lisa is a Cultural Heritage Object represented in Europeana by one EuropeanaAggregation instance
An instance of EuropeanaAggregation is created at ingestion time for each different Cultural Heritage Object recognized by Europeana. Such instance is associated to the Cultural Heritage Object that it is about, by the property edm:aggregatedCHO
Obligation and Occurence: The relation between the Cultural Heritage Objects represented in Europeana and the instances of the class EuropeanaAggregation is one-to-one, in the data maintained by Europeana: every Cultural Heritage Object is represented by an instance of EuropeanaAggregation, and every instance of EuropeanaAggregation represent a Cultural Heritage Object.
Rationale: This class is used in Europeana to gather in a single conceptual unit all the information about a Cultural Heritage Object, necessary for all operations on these objects.
Europeana Object
An annotation created by a user through the Europeana portal
Any content created by the users through the service made available by Europeana for that purpose
Any instance of the class EuropeanaAggregation
Rationale: This class is used to tag objects that are the result of activity of Europeana, and, as such, objects on which Europeana holds rights
The 2nd World War, the act of painting Mona Lisa, the change of custody of Mona Lisa.
the 2nd World War
the act of painting Mona Lisa
the change of custody of Mona Lisa
Events are identified either by the content provider or by Europeana enrichment at ingestion time
Rationale:This class is a domain of edm:happenedAt and the domain of edm:occurredAt
Mona Lisa, Winged Victory of Samothrace
This class has been mostly motivated by the need to assign a type to the “central node” in the EDM pattern, during the ingestion process, related to the XML expression of EDM at that stage. It was especially intended to fit the cases where edm:PhysicalThing cannot be used as the type of the resource standing for the real-world object (independently of any specific data contributor perspective).
Rationale: This class is the range of edm:aggregatedCHO. A resource of type ProvidedCHO can be the subject of statements using edm:isRelatedTo or any more specific property.
Longitude
Latitude
A SKOS concept can be viewed as an idea or notion; a unit of thought. However, what constitutes a unit of thought is subjective, and this definition is meant to be suggestive, rather than restrictive. The notion of a SKOS concept is useful when describing the conceptual or intellectual structure of a knowledge organization system, and when referring to specific ideas or meanings established within a KOS. Note that, because SKOS is designed to be a vehicle for representing semi-formal KOS, such as thesauri and classification schemes, a certain amount of flexibility has been built in to the formal definition of this class.
Concept
An idea or notion; a unit of thought.
A SKOS concept scheme can be viewed as an aggregation of one or more SKOS concepts. Semantic relationships (links) between those concepts may also be viewed as part of a concept scheme. This definition is, however, meant to be suggestive rather than restrictive, and there is some flexibility in the formal data model stated below. The notion of a concept scheme is useful when dealing with data from an unknown source, and when dealing with data that describes two or more different knowledge organization systems.
Concept Scheme
A set of concepts, optionally including statements about semantic relationships between those concepts.
Thesauri, classification schemes, subject heading lists, taxonomies, 'folksonomies', and other types of controlled vocabulary are all examples of concept schemes. Concept schemes are also embedded in glossaries and terminologies.
A concept scheme may be defined to include concepts from different sources.
Alternative Label
definition
A statement or formal explanation of the meaning of a concept.
example
An example of the use of a concept.
This property expresses the fact that a concept is a part of a scheme.
is in scheme
Relates a resource (for example a concept) to a concept scheme in which it is included.
A concept may be a member of more than one concept scheme.
note
A general note, for any purpose.
This property may be used directly, or as a super-property for more specific note types.
A resource has no more than one value of skos:prefLabel per language tag, and no more than one value of skos:prefLabel without language tag.
The range of skos:prefLabel is the class of RDF plain literals.
skos:prefLabel, skos:altLabel and skos:hiddenLabel are pairwise disjoint properties.
preferred label
The preferred lexical label for a resource, in a given language.
scope note
A note that helps to clarify the meaning and/or the use of a concept.
A middle ontology bridging the Europeana Data Model (EDM) as top-level ontology with domain ontologies: RDA, Records in Contexts Ontology (RiC-O), Music Ontology, Audio Commons Ontology (ACO), and CIDOC CRM via LRMoo/FRBRoo. The WEMI model (Work, Expression, Manifestation, Item) serves as the central conceptual framework, with RDA entity classes as the canonical middle-layer.
Middle Ontology for Cultural Heritage Objects (MOCHO)
In the SemDH 2026 submission, it was mentioned that MOCHO's WEMI classes are model as Subclass-UnionOf, c.f. every instance of mocho:Expression must be an instance of one of the domain classes. It is a necessary condition for mocho:Expression, but the domain instance are not automatically classified as mocho:Expression. It has to be explicitly asserted that x is an instance of mocho:Expression.
Goethe's Faust in French
In the SemDH 2026 submission, it was mentioned that MOCHO's WEMI classes are model as Subclass-UnionOf, c.f. every instance of mocho:Item must be an instance of one of the domain classes. It is a necessary condition for mocho:Item, but the domain instance are not automatically classified as mocho:Item. It has to be explicitly asserted that x is an instance of mocho:Item.
A copy of Goethe's Faust
In the SemDH 2026 submission, it was mentioned that MOCHO's WEMI classes are model as Subclass-UnionOf, c.f. every instance of mocho:Manifestation must be an instance of one of the domain classes. It is a necessary condition for mocho:Manifestation, but the domain instance are not automatically classified as mocho:Manifestation. It has to be explicitly asserted that x is an instance of mocho:Manifestation.
In the SemDH 2026 submission, it was mentioned that MOCHO's WEMI classes are model as Subclass-UnionOf, c.f. every instance of mocho:Work must be an instance of one of the domain classes. It is a necessary condition for mocho:Work, but the domain instance are not automatically classified as mocho:Work. It has to be explicitly asserted that x is an instance of mocho:Work.
Goethe's Faust
An audio segment that has been somehow published or uploaded for consumption (e.g., a track in a music label's repository or a sound in an audio repository, library or archive).
A collection of audio manifestations (e.g., a sound pack, an album, a result set of a search over a repository of audio content). As an audio collection is an audio manifestation too, collections may be nested. An audio collection is composed of nodes.
The specific intellectual or artistic form that a work takes each time it is “realized”, in the audio domain (e.g., the recording or synthesis of music or sounds).
A concrete audio file (encoded in some format)
A concrete exemplar of an audio manifestation (e.g., a copy of a CD or a specific media file).
The physical embodiment of an audio expression (e.g., a musical track, a sound, an album).
A subclass of AudioExpression, representing a signal, for example a master signal produced by a performance and a recording.
A subclass of AudioExpression, representing a (physical) sound.
Used to relate a person or a group of people who authored an audio manifestation.
Relates an audio manifestation to an audio item (e.g., a media file).
Relates an audio item (e.g., a media file) to the corresponding audio manifestation.
Convenience alias of ac:firstNode to attache an ac:AudioCollection to an rdf:List that holds the members
Used to relate a person or a group of people who compiled an audio manifestation.
Associates an audio manifestation with the collection nodes that contain it.
Associates a MusicalItem (a track on a particular CD, an audio file, a stream somewhere) to the signal it encodes.
Associates an audio collection to its first node.
Associates a signal to a MusicalItem (a track on a particular CD, an audio file, a stream somewhere) that encodes it.
Associates an audio collection to its last node.
Associates an audio collection to its nodes.
Associates a node with the next node in the collection.
Associates a node with the actual content (an audio manifestation).
Associates a node with its position in the collection.
Relates an audio clip to the original published audio file (if there is such thing).
Associates a node with the previous node in the collection.
Associates a signal production event to the produced signal.
Associates a signal production act to a sound from which the signal was produced (e.g., if recording, the recorded sound).
Link a particular manifestation to the related expression (e.g., a signal or a sound).
Used to relate a person or a group of people who published an audio manifestation.
Link an expression to its publication as manifestation.
Associates a publishing act to the audio manifestation.
Associates a recording act to the recorded (physical) sound.
An image. Any PictorialElement that is considered to be a complete image. Typically the main subject of an ImageSnippets description will be in this class. An image can be a visualPartOf another image.
Any visual entity; any graphical item, part, or visual property of an image or part of an image, including the image itself. Examples include lines, areas, colors and textures. Pictorial elements may have arbitrarily complex shapes and may be implicit, e.g. lines of perspective or outlined white spaces. Rectangular regions of an image are pictorial elements, and the entire image is also. Thus, Image is a subclass of PictorialElement. PictorialElements may be included in one another, giving a simple mereology of visual forms, with the property visualPartOf. Non-visual properties such as date or manner of creation are not considered to be PictorialElements. A property or aspect of an image can be considered to be a PictorialElment when it can be apprehended by vision alone.
A Person, or Group, or an entity created by a Person or Group (Mechanism), or a Position, that acts in the world.
Agent
Agente
Akteur
An Agent may have one or more identities; an identity is a constellation of properties or relations that together “identify” the Agent. A Person or Group commonly has one identity, though each also may have one or more alternative identities. Such alternative identities may be shared by more than one Person or Group. Alternative identities include but are not limited to pseudonyms, heteronyms, DBA (Doing Business As), and trade identities. An alternative identity should not be confused with a Position in a Group, for example, presidents, prime ministers, governors, popes, royalty, or bishops. Nor should an alternative identity be confused with a variant name or identifier of the same identity. Agent also includes entities created by a Person or Group that act on behalf of the creating Agent in an autonomous or semi-autonomous manner. Examples of a Mechanism include software agents, robots, and space and underwater probes that generate data (records) in the course of Activity assigned to and in conformance with the instructions given to them by the creating Person or Group.
An idea, unit of thought, abstract cultural object or category
Concepto
Konzept
Categorization of a Record or Record Part with respect to its extrinsic and intrinsic elements that together communicate its content, administrative and documentary context, and authority.
Documentary Form Type
Dokumentenkategorie
Tipo documental
Type de document
Documentary Form Type plays an important role in determining the type of information a Record may comprise, its status of perfection, and its authenticity and reliability. Documentary form types exist in a specific social and cultural context, and within that context, are subject to change over time.
Two or more Agents that act together as an Agent.
Group
Groupe d’agents
Grupo de agentes
Gruppe
Group is a kind of Agent. A Group has a socially recognized identity. Each member of the Group plays a particular role or roles (that is has a particular Position) in the coordinated activity of the Group. Corporate bodies and families are kinds of groups, though other kinds of groups are possible. For example, the “electorate” -- all of the voters in a given election. Complex, large groups may be subdivided into other groups.
The inscription of information made by an Agent on a physical carrier in any persistent, recoverable form as a means of communicating information through time and space.
Instanciación
Instanciation
Instantiation
Repräsentation oder Instanz
A Record or Record Part must have been instantiated at least once, though this instantiation may no longer exist at the moment of description. An instantiation might also exist at the moment of description, but be destroyed at a later moment in time, when, for example, a derived instantiation might become the only remaining instantiation. A Record Set may have an instantiation, which is to say that it is not a necessary condition. An Instantiation may be derived from another Instantiation. A Record Resource may have many Instantiations simultaneously (for instance, a record printed and saved in the same time as DOCX and PDF/A would have 3 concurrent instantiations) or through time (for example, copy of a record). Depending on the context, a new instantiation may be seen as a new or as the same record resource. During in the process of re-instantiation something is lost and something is preserved, but it is up to the context and the Agent that produces or uses that Instantiation to assess whether the two instantiations are functionally equivalent or not. For instance, a postcard representing a town map from 1874 (Instantiation 1) is digitized and kept as a JPEG file (Instantiation 2). The digital copy may be considered as instantiating the "same" Record by an Agent considering the information transmitted by the Record (e.g., the urban landscape displayed), but as a" different" Record by an antiquarian more focused on the materiality of the carrier. Successive instantiations may change the perceivable boundaries of a Record Resource. For instance, a case file comprising many records may be digitized and saved as one single PDF file, which, from management perspective, may be treated as one Record. Similarly, a large Record Set (a fonds or a series) may be maintained as one database. On the other hand, one record (main document and its annexes) may be digitized in separate files and each one may be managed as a discrete “physical” item. Instantiations may require mediation to communicate the information in the Record Resource. While a traditional Record on paper can simply be read by an Agent in order to understand the information, a vinyl recording, a video cassette or a digital file needs a device (mediator) to codify or decodify the information conveyed. This mediator may imply simple physical components (a turntable needle, for example), or a complex gallery of software and hardware elements. Instantiations are more than the mere informational content of Record Resource and may be the focus of preservation and physical management of records. The use of particular document types for records, such as a medieval charter, may have implications for the authenticity of the records. Hence, the way a Record Resource is instantiated contributes to the contextualizing of the content.record resource is instantiated contributes to the contextualizing the content. Distinguishing the message conveyed (Record Resource) and its physical representations (Instantiation) allows for the efficient management of their descriptions, and preserve information about a Record Resource even when no physical representation of it exists or is known to exist anymore. The relations between distinct instantiations can then be expressed wherever they coexist, and they can be related to the Record Resource they instantiate.
An individual human being.
Persona
Personne
Person is a kind of Agent. Most commonly, a human being (biological person) has a single socially constructed identity or persona. Less common though not rare, one or more personae in addition to the original persona which emerges at or near birth may be associated with the human being over the course of that human being’s lifetime. Such "alternative personae" are most often created by the original person for specific purposes. The original persona may, in everyday discourse, be regarded as “the real person”. Under some circumstances, an alternative persona might eclipse or replace the original person (Mark Twain eclipsing Samuel Clemens; John Wayne eclipsing Marion Mitchell Morrison), that is, the alternative identity becomes the predominant identity. Less common is when two or more persons collaborate to create a shared persona. A persona shared by two or more persons constitutes a kind of group. Within the archival context, the description of a person commonly will focus on the original associated persona, with alternative personae noted. Exceptionally, an alternative persona may displace the original persona as the focus of the description. Under some circumstances, for example, when record resources are associated with two or more different personae of one person, describing the different personae as separate though related persons may be desirable. Alternatively, a person may change their identity over the course of their lifetime.
Discrete information content formed and inscribed, at least once, by any method on any carrier in any persistent, recoverable form by an Agent in the course of life or work activity.
Documento
Objet informationnel
Record
Record is a kind of Record Resource. A Record may itself contain one or more Records, or may consist of one or more Record Parts. A Record must have or have had at least one Instantiation. A Record may have more than one Instantiation. An Instantiation derived from another Instantiation of a Record may be considered the instantiation of the same Record or an instantiation of a new Record, depending on the context. A Record may serve a variety of purposes, though it always documents or is evidence of Activity.
Component of a Record with independent information content that contributes to the intellectual completeness of the Record.
Componente documental
Partie d’objet informationnel
Record Part
Recordteil
Record Part is a kind of Record Resource. A Record Part may itself have Record Parts.
Information produced or acquired and retained by an Agent in the course of life or work activity.
Record Resource
Recordressource
Recurso documental
Ressource archivistique
Record resource is a kind of Thing. Producing a record resource may imply either its initial creation or a reuse of previous existing information by combination, rearrangement, selecting, reformatting, etc. Record set, record, and record part are kinds of record resource. A record resource is evidence of the activity of an agent. More than one agent may be involved in the creation of a record resource. The role of the agent in creating the record resource may take different forms, for example, authoring of an individual record, accumulating a record set, or arranging a record set. Though a record, record set, and record part, under most circumstances, may be easily distinguished from one another, identifying the boundary of each may frequently present particular challenges. Documentary forms provide the rules governing the structure of many types of records, providing criteria for identifying a record's boundary, and identifying its essential parts. Many records, though, do not have well-established documentary forms, particularly in the case of digital records, where it may be difficult to determine whether individual elements represented in separate bitstreams are record parts, records, or record sets. For example, is photographic information represented independently in a bitstream embedded in a text document a record or a record part? Or is the same photographic information attached to an email that maintains its independent representation, a record or a record part? Information grouped for some purpose, for example, ZIP or TAR "file compression" for saving storage space, presents a further challenge. One file comprises multiple bitstreams subjected to techniques that remove bits that can be losslessly recovered when decompressed. Under what circumstances is such a compressed bitstream a record or a record set? Determining when an information object is a record, record set, or record part is based on perspective and judgement exercised in a particular context. In one context, the agent describing an information object may designate it a record, while another agent in a different context may designate it a record part. Both designations are supported by RiC-CM, and the significance of the difference for users of the records is ameliorated by the fact that all of the attributes and relations employed in describing record and record part are shared, as are many of the attributes and relations employed in describing a record set.
One or more records that are grouped together by an Agent based on the records sharing one or more attributes or relations.
Agrupación documental
Ensemble d’objets informationnels
Record Set
Recordgruppe
Record set is a kind of Record Resource. The member records in a Record Set may physically reside together, though physical proximity is not essential. In a particular context, an Agent (for example, administrator, records manager, archivist, end-user, etc.) may select the member records of a Record Set based on any shared attribute or attributes, or any shared relation or relations. The grouping of the records serves a purpose or purposes specific to the context of the Agent. For example, all member records of a Record Set have been accumulated by the same Agent; have the same Documentary Form Type; or are related to and document the same Activity. A Record Set may represent the act of classifying the records in accordance with a formal classification scheme that may be based on activity, subject, organizational structure, or other criteria; an act of archival arrangement (for example, based on common provenance); or some other selection and grouping that fulfils a particular purpose or purposes (for example, a classification that reflects or supports the purposes of a researcher). By exception, some records are brought together based on their not belonging in the context of selection to other designated groups: a 'Miscellaneous' series, for example. A Record Sset accumulated by an Agent in the course of life or work activity should be described in a manner that preserves context and evidential value. Record Sets may also contain other Record Sets. A Record Set or Record may simultaneously be a member of more than one Record Set, and over the course of its existence, a Record Set or Record may be a member of an indeterminate number of Record Sets in an indeterminate number of contexts. Record Sets and Records contained within a Record Set may be ordered into a sequence based on a common property or relation, or common properties or relations (for example, alphabetical by agent or related place); chronological order by creation date; or some other criterion (for example, an imposed order by relevance).
A broad categorization of the type of Record Set.
Record Set Type
Recordgruppenkategorie
Tipo de agrupación documental
Type d’ensemble d’objets informationnels
Four instances of Record Set Type are included for now in RiC-O; they also are instances of skos:Concept and, as such, part of a SKOS vocabulary. Record Set Type may also be used (or extended) to categorize types of Record Set that have not traditionally been considered archival, e.g. search result list.
Any idea, material thing, or event within the realm of human experience.
Chose
Cosa
Ding
Thing
Includes all RiC entities as well as any concept, material thing, or event that may be the subject of a Record Resource or associated with an Activity. Examples of entities not explicitly addressed in RiC includes but is not limited to the following: abstract concepts; cultural movements, named periods and events; named things, objects and works; legendary, mythical or fictitious figures, characters or beings.
A superclass for any type of some thing. A type characterizes an entity.
Kategorie
Tipo
Type
Inverse of 'precedes in time' object property. This is a transitive relation.
follows in time
sigue en el tiempo a
suit dans le temps
Inverse of 'precedes or preceded' object property.
follows or followed
sigue o seguía a
suit ou a suivi
Connects an Instantiation to another Instantiation that was its component in the past.
a eu pour composant
had component
tenía como componente
Connects a Thing to a Thing that was a constitutive or component part of that Thing in the past.
a eu pour partie
had part
tenía como parte
Connects an Instantiation to another Instantiation that is, directly or indirectly, a component of that Instantiation. This is a transitive relation.
a pour composant transitif
has component transitive
tiene como componente transitivo
Connects a Record Resource to a copy of that Record Resource.
a pour copie
has copy
tiene como copia
Is both a temporal and genetic relation between the two Record Resources.
Connects an Instantiation to another Instantiation that is its direct component.
a directement pour composant
has direct component
tiene directamente como componente
Connects a Thing to a Thing that is a direct constitutive or component part of that Thing.
a directement pour partie
has direct part
tiene directamente como parte
To be used only when the current partitive relation is direct, without any intermediate node between the related things.
Connects two Record Resources when there is a genetic link between them. Genetic in this sense is as defined by diplomatics, i.e. the process by which a Record Resource is developed. This relation is symmetric.
a une relation génétique avec la ressource archivistique
has genetic link to record resource
tiene vínculo de origen con recurso documental
Use to connect two Record Resources only if it is not possible to use a narrower, more specific, asymmetric Record Resource to Record Resource relation, for example is original of.
Connects a record resource to one of its analogue instantiations, whether it exists or has been lost or destroyed.
a ou a eu pour instanciation analogique
has or had analogue instantiation
tiene o tenía como instanciación analogica
In some situations, it may be useful or necessary to connect a record resource to an analogue instantiation that no longer exists or has been lost.
Connects an Instantiation to one of its present or past component instantiations.
a ou a eu pour composant
has or had component
tiene o tenía como componente
Connects an instantiation to an instantiation that is derived from it, whether it exists or has been lost or destroyed.
a ou a eu pour instanciation dérivée
has or had derived instantiation
tiene o tenía como instanciación derivada
In some situations, it may be useful or necessary to connect an instantiation to an instantiation that was derived from it but no longer exists or or has been lost.
Connects a record resource to one of its digital instantiations, whether it exists or has been lost or destroyed.
a ou a eu pour instanciation numérique
has or had digital instantiation
tiene o tenía como instanciación digital
This property can be used, among other cases, when you want to convert findings aids encoded in EAD/XML and need a simple and accurate migration path to process dao or daogrp EAD elements. Also, in some situations, it may be useful or necessary to connect a record resource to a digital instantiation that no longer exists or or has been lost.
Connects a Record Resource to an Instantiation, which either may exist or may have been lost or destroyed.
a ou a eu pour instanciation
has or had instantiation
tiene o tenía como instanciación
In some situations, it may be useful or necessary to connect a record resource to an instantiation that no longer exists or or has been lost, when some of its characteristics are known from some source, like an old finding aid.
Connects a Thing to a constitutive or component part of that Thing.
a ou a eu pour partie
has or had part
tiene o tenía como parte
Use to connect a Thing to another Thing that is or was a part of the whole Thing only if it is not possible to use a narrower, more specific whole/part relation, for example has or had constituent. The end of existence of a whole/part relation may affect the integrity or nature of the domain entity.
Connects a Thing to a Thing that is, directly or indirectly, a constitutive or component part of that Thing. This is a transitive relation.
a pour partie transitif
has part transitive
tiene como parte transitivo
To be used, either to infer, then query or browse, relations from existing direct 'hasDirectPart' relations between things, or to record a current partitive relation when you do not know if there are intermediate nodes between the related things.
Connects a Record Resource to a reply, usually in the form of correspondence.
a pour réponse
has reply
tiene como contestación
Connects an Instantiation to another Instantiation of which it is, directly or indirectly, a component. This is a transitive relation.
es componente de transitivo
est un composant de transitif
is component of transitive
Inverse of 'has copy' object property.
es copia de
est la copie de
is copy of
Connects an Instantiation to another Instantiation of which it is a direct component.
es componente directo de
est le composant direct de
is direct component of
Connects a Thing to a Thing of which it is direct constitutive or component part.
es parte directa de
fait directement partie de
is direct part of
Connects two Things that are considered equivalent.
equivale a
est l’équivalent de
is equivalent to
Connects two Instantiations which may be considered as equivalent. This relation is symmetric.
equivale funcionalmente a
est fonctionnellement équivalente à
is functionally equivalent to
Two Instantiations, from some point of view, may be considered as equivalent. This equivalence is usually based upon the fact that the Instantiations have at least the same intellectual content (they instantiate the same Record Resource).
Connects two Instantiations. This relation is symmetric.
est associée à l’instanciation
is instantiation associated with instantiation
se asocia con la instanciación
Use only if it is not possible to specify a narrower Instantiation to Instantiation relation, for example is functionally equivalent to.
Inverse of 'has or had analogue instantiation' object property.
es or era instanciación analogica de
est ou a été une instanciation analogique de
is or was analogue instantiation of
Inverse of 'has or had component' object property.
es o era componente de
est ou a été un composant de
is or was component of
Inverse of 'has or had derived instantiation' object property.
es o era un derivado de instanciación
est ou a été une instanciation dérivée de
is or was derived from instantiation
Inverse of 'has or had digital instantiation' object property.
es o era instanciación digital de
est ou a été une instanciation numérique de
is or was digital instantiation of
Inverse of 'has or had instantiation' object property.
es o era instanciación de
est ou a été une instanciation de
is or was instantiation of
Inverse of 'has or had part' relation.
es o era parte de
est ou a été une partie de
is or was part of
Connects a Thing to a Thing of which it is a a constitutive or component part, directly or indirectly. This is a transitive relation.
es parte de transitivo
est une partie de transitif
is part of transitive
To be used, either to infer, then query or browse, relations from existing direct 'isDirectPartOf' relations between things, or to record a current partitive relation when you do not know if there are intermediate nodes between the related things.
Connects two Record Resources. This relation is symmetric.
es recurso documental asociado con
est une ressource archivistique associée avec la ressource archivistique
is record resource associated with record resource
Use to connect two Record Resources only if it is not possible to use a narrower, more specific relation, for example has genetic link to.
The most generic relation, is related to, connects any Thing to any other Thing. This relation is symmetric.
est relié à
está relacionado con
is related to
Inverse of 'has reply' object property.
es contestación de
est une réponse à
is reply to
Connects a Record Resource to a Record Resource, when the first is used as a source of information for producing the content of the second one.
es fuente de información de recurso documental
est une source d’information de la ressource archivistique
is source of information of Record Resource
Can be used, for example, for a Record Resource used to produce a Record having documentary form type Authority Record or Finding Aid. Not to be confused with the 'hasGeneticLinkToRecordResource' object property.
Inverse of 'migrated into' object property.
a été produite par migration de
migrado desde
migrated from
Connects an Instantiation to a version it has been migrated into.
a été migrée vers
migrado a
migrated into
Use for digital instantiations.
Connects a Thing to a Thing that follows it in chronological order. This is a transitive relation.
precede en el tiempo a
precedes in time
précède dans le temps
There may actually be zero to many intermediate Entities, ignored or unknown, in the chronological sequence between the two connected Entities.
Connects a Thing to a Thing that follows or followed it in some sequence.
precede o precedía secuencialmente a
precedes or preceded
précède ou a précédé
The relation does not specify by itself what criteria are used for ordering the sequence. There may actually be zero to many intermediate Entities, ignored or unkown, in the sequence between the two connected Things. Can be used, for example, for specifying that some Record 'precedes' (has next) some Record within a Record Set.
Connects a Record Resource to a Record Resource, when the second one is used as a source of information for producing the content of the first one.
Record Resource has source of information
est une ressource archivistique qui a pour source d’information
recurso documental tiene como fuente de información
Can be used, for example, to connect a Record that has documentary form type Authority Record or Finding Aid, and a Record Resource used as a source of information for it. Not to be confused with the 'hasGeneticLinkToRecordResource' object property.
Connects an Instantiation to another Instantiation of which it was a component in the past.
a été le composant de
era componente de
was component of
Connects a Thing to a Thing of which it was a constitutive or component part in the past.
a fait partie de
era parte de
was part of